What TV doesn't, print can't; we deliver.
What TV doesn't, print can't; we deliver.
NEW DELHI: Shankar Mahadevan, one of India’s most celebrated music composers, shared fascinating anecdotes from his illustrious career in an interview with The New Indian’s Executive Editor, Rohan Dua. Discussing his creative process.
Mahadevan said, “For Kuch Toh Hua Hai in Kal Ho Naa Ho, we used the sound of claps to create a unique rhythm. Experimentation is key to making music resonate across generations.”
Reflecting on Dil Chahta Hai , Mahadevan revealed, “The title track wasn’t originally planned as the title song. Music has a way of evolving; it’s organic. You can’t force these things it just happens.”
ALSO READ: I programmed tabla for ‘It’s the time to disco’ in Kal Ho Naa Ho: Shankar Mahadevan
Mahadevan also reminisced about Rockford , directed by Nagesh Kukunoor. “I quickly recorded a tune and handed it over before catching a flight. The next day, I got a call from Gulzar Saab, praising the composition. It was surreal.”
On working across India’s diverse film industries, Mahadevan remarked, “From Tamil and Telugu to Marathi and Malayalam, I’ve collaborated with every major composer. Each project brings its own flavor and challenge.”
Mahadevan emphasized the importance of humility in the industry. “Ego only gets in the way of creativity. Staying grounded is how I’ve managed to thrive.”
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Mahadevan’s career is a testament to blending tradition with innovation. Whether it’s the heartfelt melodies of Kal Ho Naa Ho , the youthful exuberance of Dil Chahta Hai , or regional hits across languages, his work continues to inspire.
Mahadevan said “I believe music finds its timelessness when it connects deeply with people. ”
Mahadevan’s reflections highlight not just the magic of his music but also the dedication and spontaneity that define his craft.
