Who gets more angry Nana Patekar or Sunny Deol, Gadar movie director answers: Rohan Dua  

NEW DELHI: In a revealing interview with Rohan Dua, Executive Editor of The New Indian, renowned film director Anil Sharma opened up about his cinematic journey, his iconic films, and his collaboration with Bollywood legends Nana Patekar and Sunny Deol.

Sharma, known for his action-packed blockbusters like Gadar and Gadar 2, discussed the deep emotional core of his films. “Cinema is my life. It is not just a profession, it’s my soul,” Sharma said, reflecting on how his films are born from raw emotions. He shared how his frustration and inner aggression often found expression through intense action scenes. “In Gadar, the hand pump scene wasn’t just about violence; it was a way for me to release the anger I felt inside,” he explained.

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Anil Sharma said “The villain used religion as a shield for his power, but when his life was on the line, he realized that truth and humanity mattered more.” The scene symbolized a powerful message: actions speak louder than words explaining about a pivotal moment in Gadar 2, where the villain must choose between the Gita and power.

As for the success of Gadar 2, which grossed nearly ₹700 crores and risks related to Vanvas. Sharma said, “I make films for the soul, not the numbers. Vanvas is a return to the family films I started with. Every film I make must come from the heart.”

The conversation turned to the fiery personalities of Nana Patekar and Sunny Deol. When asked who gets angrier, Sharma responded, “Sunny sir’s anger is like fire, it burns everything. Nana sir’s anger is more internal, deep, and intellectual. Both are unique in their own ways.” Sharma praised both actors for their distinct styles and contributions to the film.

 

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On a lighter note, Sharma revealed his preference for simple clothing, saying, “I don’t need expensive brands to define who I am. A ₹200 t-shirt is enough for me.”

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The interview concluded with Sharma’s deep connection to Mathura’s ghats. “When I sit at the ghats in Mathura, I find peace,” he said, encapsulating the spiritual bond he shares with his roots.

 

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Through his words, Anil Sharma demonstrated that for him, cinema is a reflection of both inner emotions and deep cultural values.