Summary

The Indian film industry, often celebrated for its diversity and cultural richness, stands at a crucial juncture. President Droupadi Murmu’s recent call for more women-led…

The Indian film industry, often celebrated for its diversity and cultural richness, stands at a crucial juncture. President Droupadi Murmu’s recent call for more women-led development in the industry is not just timely but essential. As she rightly pointed out, despite the industry’s vast output, the representation of women, both behind and in front of the camera, remains disproportionately low.   Out of the 85 recipients of the National Film Awards, only 15 were women. This stark disparity underscores the urgent need for a course correction in how the industry portrays and involves women.   Historically, Indian cinema has been a mirror reflecting societal norms and values. However, this reflection has often been skewed, particularly in its portrayal of women. From the early days of cinema, women were frequently depicted in stereotypical roles—either as the virtuous, self-sacrificing mother or the objectified love interest. These portrayals have not only limited the scope of female characters but have also reinforced regressive gender norms.   In recent years, there has been a noticeable shift. Films like “Queen,” “Piku,” and “Thappad” have brought nuanced female characters to the forefront, challenging traditional narratives. Yet, these examples are exceptions rather than the norm. The industry still grapples with issues of objectification, tokenism,

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